VC幽霊・規制大百足との連戦
9 cuts · 0:23走馬灯バトル第1波。ハニワとドグーが霧の廃倉庫でVC幽霊と対峙する。幽霊は「熱量より実績を持ってこい」と迫る。次いで規制の大百足が床を震わせ迫ってくる。
廃倉庫を真上から俯瞰する鳥瞰EST。クレーンが天井の梁から降下しながら格子状の鉄骨の影を床に落とす。ハニワとドグーが画面中央でぽつんと背中合わせ——周囲の暗闇に潜む無数の輪郭が四方を囲む。引きの圧倒的スケールで「包囲」を視覚化する。劇画 painted-cel、墨ベタの影に朱の警告ランプ。★【百足造形ロック】規制大百足は添付シート/三面図に忠実に——【単一の頭部・顔は一つだけ】(2つの顔/2頭/双頭にしない)、細長い多節の胴体・数十本の脚・節ごとの行政印・赤い警告ランプ。包囲の影として描く場合もこの design を厳守し、人間(ハニワ/ドグー)の数倍の巨躯のスケールで描く。
Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: 規制の大百足 / Regulation Centipede (regulation_centipede).
Iconic pose: Bust-up close shot of the centipede's head and first segment only, mandibles flung wide in a violent threat pose, dynamic monochrome sumi-e with bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses and violently flung ink splatter (haboku/hifaku) bursting outward, the whole subject rendered purely as BLACK INK (NOT color, NOT full-color). ★FRAMING = head-and-first-segment BUST, big and close, NOT the full body and NOT a calm static silhouette. ★SOLO subject on bare washi / ink-mist negative-space ground. ABSOLUTELY NO other yokai, NO Haniwa/Dogu, NO warehouse/rubble scene, NO fog clouds, NO floating debris. The ONLY non-ink accents: vermilion on the glowing compound eyes and the small regulation seal stamp. Vertical brush calligraphy 「規制の大百足」 with a small vermilion IVS seal.
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
- DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
- ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
- Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
- ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
- Hand-drawn calligraphic line work, NOT computer-clean lines.
- !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
- !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
- Render the character's Japanese name 「規制の大百足」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
- Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
- Below the Japanese name (in much smaller English serif italic): "Regulation Centipede".
- Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
- DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
- ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
- Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
- Dramatic backlight (rim light from behind the character).
- Generous negative space on the right where the calligraphy lives.
MOTION:
- SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
- The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
- Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「規制の大百足」 / Regulation Centipede:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut c5-s1-1 as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low qualityコピー後、Kling V3 または Seedance 2.0 の prompt 欄にペースト。start frame に cut 画像。
霧の廃倉庫の全景。錆びた鉄骨格子に月光が帯状に差し込み、ハニワとドグーが中央で背中合わせに構える。すでに四方を敵に囲まれている。
WS FIX EYE で「包囲」の幾何学を一発で観客に伝え、台詞なしで緊張を立てる。
走馬灯バトル開幕の対峙ショット——少年二人 vs 走馬灯の世界の規模感を視覚で確立する。
ダイナミックなモノクロ墨絵(sumi-e)のリビール。規制大百足の頭部から第一節までの胸上バストだけを大きく寄せて捉える(背景・霧・他者は描かず単体)。鋏角を大きく開き威嚇する激しいポーズ。一気呵成の太い筆と墨ベタで甲殻の質感を彫り、潑墨と飛白の墨飛沫が鋏角の周囲に飛び散る。色は塗らず黒墨主体、差し色は赤く光る複眼と節に刻まれた行政印だけを最小の朱(vermilion)で。右側に「規制の大百足」の縦書き墨書きカリグラフィ、朱印が下に小さく。
Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: 規制の大百足 / Regulation Centipede (regulation_centipede).
Iconic pose: Bust-up close shot of the centipede's head and first segment only, mandibles flung wide in a violent threat pose, dynamic monochrome sumi-e with bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses and violently flung ink splatter (haboku/hifaku) bursting outward, the whole subject rendered purely as BLACK INK (NOT color, NOT full-color). ★FRAMING = head-and-first-segment BUST, big and close, NOT the full body and NOT a calm static silhouette. ★SOLO subject on bare washi / ink-mist negative-space ground. ABSOLUTELY NO other yokai, NO Haniwa/Dogu, NO warehouse/rubble scene, NO fog clouds, NO floating debris. The ONLY non-ink accents: vermilion on the glowing compound eyes and the small regulation seal stamp. Vertical brush calligraphy 「規制の大百足」 with a small vermilion IVS seal.
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
- DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
- ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
- Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
- ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
- Hand-drawn calligraphic line work, NOT computer-clean lines.
- !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
- !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
- Render the character's Japanese name 「規制の大百足」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
- Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
- Below the Japanese name (in much smaller English serif italic): "Regulation Centipede".
- Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
- DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
- ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
- Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
- Dramatic backlight (rim light from behind the character).
- Generous negative space on the right where the calligraphy lives.
MOTION:
- SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
- The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
- Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「規制の大百足」 / Regulation Centipede:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut (or the scene-transition's from-cut when this reveal opens a scene) as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low qualityリビール：first frame に直前 cut（シーン冒頭リビールはシーン転換の from cut）→ last frame にこの墨絵 namecard（ink-splash 3-shot）。シーン冒頭の転換はシーン見出しの Transition パネルからコピー。
霧と暗闇から規制大百足の輪郭が浮かび上がる墨絵スタイルの静止リビール。右側に「規制の大百足」の縦書き墨書きカリグラフィ、朱印が下に小さく。「初めて見せる」威圧の静止画。
FIX + LO で対象を見上げる仰角を厳格に保ち、墨絵の余白と被写体の重さを最大化する。動きはコントラスト変化と霧の薄い揺れのみで、reveal の儀式性を破らない。
敵キャラの「名前 + 一撃の印象」をテクストとビジュアルで一枚岩に焼き付ける。連戦の威圧度を観客に予告する。
高所からの俯瞰LSで間合いを見せる引き。規制大百足が画面奥から正面へ突進し、数十本の脚が地面を叩いて煙幕を巻き上げる。カメラは突進に合わせて左へトラックし、ハニワとドグーが左右に分かれて構える両者の距離感を一望させる。状況説明の引き。劇画 painted-cel、土埃の墨ベタに朱の警告ランプ。
Kling 3.0 Omni (Multi-Shot) を ON にして、first frame に このカット(c5-s1-3)・last frame に 次カット(c5-s1-4) を Bind → 下の 3 枠を Shot 1〜3 に各々ペースト。HARD CUT で繋ぐ ~4s。
Centipede surges 4m forward toward camera. First six segments hammer-strike ground 3 times in 1s. Camera dollies forward 2m at knee height. Dust kicks up at each impact. Centipede fills 70% of frame.
Camera arcs right 90° around the centipede in 2s with 10° dutch tilt. Haniwa pivots and leaps 1.5m to screen right, lands in low stance with nunchaku swinging horizontally at hip level. Dogu slides back 1m to screen left, plants staff vertically, drops to one knee. Centipede's mandibles snap once, ejecting 3 papers spinning into the air. STRONG MOTION: at the moment of contact a ring shockwave detonates from the impact point, blasting the cloud-sea, smoke and debris violently OUTWARD in all directions; dust rings expand, banners and dust streak away from the blast. Big, decisive displacement — never a small jiggle.
Snap-zoom in 0.2s to close-up on a seal embedded in the centipede's foreleg armor. The seal cracks vertically. Hold 0.5s; particles drift across frame.
規制大百足が正面から突進。数十本の脚が地面を叩き、土埃と煙がフレーム下から噴き上がる。ハニワとドグーが左右に分かれて構える。
WS LO で百足の物量と垂直方向の威圧感を最大化、低い視点で「踏み潰される」恐怖を共有する。
敵の質量と速度を観客の身体感覚に直結させる初動カット。
決めの一撃の極寄りECU。斜めに傾いだダッチ構図で、百足の触角とドグーの杖が正面衝突した刹那を捉える。触角が裂け、杖に走る亀裂、木の繊維の毛羽立ちまで質感を描く。ウィップで衝撃の方向に画面が振れ、接触点から同心円状の墨の波紋が爆ぜる。劇画 painted-cel、墨飛沫に朱の火花。
Kling 3.0 Omni (Multi-Shot) を ON にして、first frame に このカット(c5-s1-4)・last frame に 次カット(c5-s1-5) を Bind → 下の 3 枠を Shot 1〜3 に各々ペースト。HARD CUT で繋ぐ ~3s。
Camera tracks in 30cm in 1s. Dogu's staff thrusts upward from below-frame toward the centipede's right antenna which whips downward. Both meet at frame center at 45° angle. Impact frame held for 0.1s.
Concentric ripples explode outward from the impact point in 3 waves over 0.8s. The antenna snaps and bends backward 60°. The staff shaft shows a hairline crack growing 8cm. Crystal tip pulses 4 times rapidly. STRONG MOTION: at the moment of contact a ring shockwave detonates from the impact point, blasting the cloud-sea, smoke and debris violently OUTWARD in all directions; dust rings expand, banners and dust streak away from the blast. Big, decisive displacement — never a small jiggle.
Whip-pan right 60° in 0.3s following the broken antenna as it falls away. Hold on the centipede's exposed inner segment for 0.5s.
百足の触角とドグーの杖が正面衝突する瞬間。触角が折れ、杖に亀裂が入り、衝撃点から同心円状のインク波紋が広がる。
ECU FIX EYE で衝突点だけを切り取り、二つの素材（触角と杖）の物理的拮抗を絵画的に固定する。
「初撃の拮抗」の象徴——勝敗が決まる前の最大張力ポイントを観客に焼き付ける。
あおりのLOでハニワが百足の側面に回り込み、御札を胴体に叩きつける中景。カメラが右へ弧を描いて回り込み、百足の巨体を見上げるスケール感を出す。御札が貼付された刹那、朱の光が爆発的に広がる。劇画 painted-cel、墨ベタの胴体に朱の発光。
Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: 投資家試問鬼 / VC Grilling Demon (vc_grilling_demon).
Iconic pose: Extreme close-up of the demon's face only, cold scrutinizing eyes and a sneering mouth in an intimidating downward glare, dynamic monochrome sumi-e with one-stroke 一気呵成 brushwork, solid 墨ベタ black masses and violently flung ink splatter (haboku/hifaku) radiating from the face, the whole subject rendered purely as BLACK INK (NOT color, NOT pale-blue, NOT full-color). ★FRAMING = face ECU only, big and close, NOT the full body and NOT a floating silhouette. ★SOLO subject on bare washi / ink-mist negative-space ground. ABSOLUTELY NO other yokai, NO Haniwa/Dogu, NO floating contract papers, NO warehouse scene, NO ghost mist clouds. The ONLY non-ink accent: vermilion on the glowing eyes. Vertical brush calligraphy 「投資家試問鬼」 with a small vermilion IVS seal.
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
- DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
- ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
- Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
- ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
- Hand-drawn calligraphic line work, NOT computer-clean lines.
- !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
- !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
- Render the character's Japanese name 「投資家試問鬼」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
- Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
- Below the Japanese name (in much smaller English serif italic): "VC Grilling Demon".
- Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
- DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
- ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
- Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
- Dramatic backlight (rim light from behind the character).
- Generous negative space on the right where the calligraphy lives.
MOTION:
- SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
- The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
- Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「投資家試問鬼」 / VC Grilling Demon:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut c5-s1-5 as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low qualityコピー後、Kling V3 または Seedance 2.0 の prompt 欄にペースト。start frame に cut 画像。
ハニワが百足の側面に回り込み、御札を胴体に叩きつける。御札の貼付された瞬間、朱の光が爆発的に広がる。
MS ARC-R EYE で回り込みの運動と貼付の決まり手を一連の弧として可視化する。
速度 × 御札の決まり手——「初撃で1体落とす」勝利の手応えを朱の発光で印象づける。
ダイナミックなモノクロ墨絵(sumi-e)のリビール。投資家試問鬼の顔だけを極寄りで正面から捉える(背景・書類・他者は描かず単体)。試すように見据える冷酷な眼と歪んだ口、見下す威圧のポーズ。一気呵成の筆で輪郭を引き、墨ベタの陰影と潑墨・飛白の墨飛沫が顔の輪郭から滲み散る。色は塗らず黒墨主体、差し色は底光りする両眼だけを最小の朱(vermilion)で。右側に「投資家試問鬼」の縦書き墨書きカリグラフィ、朱印が下に小さく。
Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: 投資家試問鬼 / VC Grilling Demon (vc_grilling_demon).
Iconic pose: Extreme close-up of the demon's face only, cold scrutinizing eyes and a sneering mouth in an intimidating downward glare, dynamic monochrome sumi-e with one-stroke 一気呵成 brushwork, solid 墨ベタ black masses and violently flung ink splatter (haboku/hifaku) radiating from the face, the whole subject rendered purely as BLACK INK (NOT color, NOT pale-blue, NOT full-color). ★FRAMING = face ECU only, big and close, NOT the full body and NOT a floating silhouette. ★SOLO subject on bare washi / ink-mist negative-space ground. ABSOLUTELY NO other yokai, NO Haniwa/Dogu, NO floating contract papers, NO warehouse scene, NO ghost mist clouds. The ONLY non-ink accent: vermilion on the glowing eyes. Vertical brush calligraphy 「投資家試問鬼」 with a small vermilion IVS seal.
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
- DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
- ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
- Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
- ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
- Hand-drawn calligraphic line work, NOT computer-clean lines.
- !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
- !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
- Render the character's Japanese name 「投資家試問鬼」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
- Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
- Below the Japanese name (in much smaller English serif italic): "VC Grilling Demon".
- Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
- DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
- ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
- Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
- Dramatic backlight (rim light from behind the character).
- Generous negative space on the right where the calligraphy lives.
MOTION:
- SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
- The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
- Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「投資家試問鬼」 / VC Grilling Demon:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut (or the scene-transition's from-cut when this reveal opens a scene) as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low qualityリビール：first frame に直前 cut（シーン冒頭リビールはシーン転換の from cut）→ last frame にこの墨絵 namecard（ink-splash 3-shot）。シーン冒頭の転換はシーン見出しの Transition パネルからコピー。
暗闇からVC幽霊（投資家試問鬼）の輪郭が浮かび上がる墨絵スタイルの静止リビール。右側に「投資家試問鬼」の縦書き墨書きカリグラフィ、朱印が下に小さく。資本主義の亡霊の冷たい輪郭。
FIX + EYE で人型亡霊を等身大の不気味さで提示。墨絵の余白を最大化し、青白い半透明体と黒インクのコントラストだけで存在感を成立させる。
「最も怖い敵は人の形をしている」というテーゼを reveal の構図に物理的に翻訳する。VC グリリングの言葉が来る前に視覚で温度を冷やす。
顔ECUからの引き。高所からの俯瞰LSでカメラがプルアウトし、VC幽霊が青白く揺らめきながら浮遊する全身と、その足下で見上げるハニワ・ドグーの小ささを一望に収める。破れた書類束が周囲を漂う。引きで「人の形をした亡霊」と立ち向かう者の対比を見せる——最も怖い敵は人の形をしている。劇画 painted-cel、墨ベタの暗がりに幽霊の青白い発光。
Kling 3.0 Omni (Multi-Shot) を ON にして、first frame に このカット(c5-s1-7)・last frame に 次カット(c5-s1-8) を Bind → 下の 3 枠を Shot 1〜3 に各々ペースト。HARD CUT で繋ぐ ~3s。
Camera arcs left 30° around the VC phantom in 1s. Phantom drifts forward 50cm, body wobbling. Six contract papers orbit around it at varying radii (50cm to 1.5m), spinning slowly.
Camera dollies forward 80cm. Phantom raises right hand and extends one finger horizontally pointing at Haniwa off-screen. Papers freeze mid-orbit for 0.3s then resume. STRONG MOTION: at the moment of contact a ring shockwave detonates from the impact point, blasting the cloud-sea, smoke and debris violently OUTWARD in all directions; dust rings expand, banners and dust streak away from the blast. Big, decisive displacement — never a small jiggle.
Camera tilts down 20° following the phantom's pointing arm. Papers in lower frame curl inward as if reading themselves. Phantom's mouth opens silently for 0.5s.
VC幽霊が青白く揺らめきながら浮遊する。破れた契約書の束が周囲を漂う。台詞の冷たさと幽霊の青白さが一体となる。
MS FIX EYE で人型シルエットを正面に置き、「資本主義の亡霊」という抽象を人の形として固定する。
最も怖い敵は人の形をしている——本質の可視化。動きを抑え、観客に観察させる時間を与える。
ハンドヘルドで揺れる斜めのダッチ中景。床が大きく波打ち、規制の大百足の前脚がフレーム下から突き上げるように侵入する。ハニワとドグーが同時に飛び退く半身が画面を横切る。節ごとに刻まれた行政印が「制度の壁」の量的圧迫を視覚化する。劇画 painted-cel、土埃の墨ベタに朱印。
Kling 3.0 Omni (Multi-Shot) を ON にして、first frame に このカット(c5-s1-8)・last frame に 次カット(c5-s1-9) を Bind → 下の 3 枠を Shot 1〜3 に各々ペースト。HARD CUT で繋ぐ ~4s。
Camera tracks right 4m in 2s with 15° dutch tilt. Floor visibly trembles. Cracks branch across foreground in 3 directions. Centipede's foreleg crashes through lower frame from below, plants itself 2m forward.
Whip-pan left 80° in 0.4s catching Haniwa and Dogu diving 1.5m apart — Haniwa to screen left, Dogu to screen right, both clearing the centipede's incoming foreleg by 30cm. STRONG MOTION: at the moment of contact a ring shockwave detonates from the impact point, blasting the cloud-sea, smoke and debris violently OUTWARD in all directions; dust rings expand, banners and dust streak away from the blast. Big, decisive displacement — never a small jiggle.
Wide handheld with 5° dutch hold. Centipede occupies center, 12+ seal stamps visible on body. Dust settles for 0.5s.
斜め構図のトラッキング右。床が大きく揺れ、規制大百足の前脚がフレーム下から侵入。ハニワとドグーが同時に飛び退く。
WS TRACK-R DUTCH で世界の崩壊と垂直の安定を同時に壊し、観客の平衡感覚を奪う。
「制度の壁」の量的圧迫——百足の節ごとの行政印が次々と見えてくる構造を運動で示す。
床レベルからのあおりLO、決めの一撃の寄りCU。カメラが突き込むようにプッシュインし、ハニワのヌンチャクと大百足の前脚が正面衝突する瞬間を捉える。鎖の張り・甲殻の罅まで質感を描き、衝撃波の墨エフェクトがフレームを割る。接触点の朱の輝きが「乗り越えの瞬間」を時間に刻む。劇画 painted-cel、墨飛沫に朱の火花。
Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。
Low-angle dolly-in 50cm. Haniwa's nunchaku swings down from upper-right in vertical arc; centipede's foreleg armor swings up from lower-left. Both converge toward frame center at 90° angle.
Impact at frame center. Shockwave concentric rings erupt outward in 4 waves over 0.6s, fracturing the frame edges. Chain link bends 15°; centipede armor cracks open 5mm.
Camera pulls back 1.5m and tilts up 40° revealing both Haniwa (lower) and centipede's segmented body (rising) locked at contact point. Impact point pulses 3 times (each 0.3s). Hold final tableau.
床レベルから見上げ。ハニワのヌンチャクと大百足の前脚が正面衝突する瞬間。衝撃波エフェクトがフレームを割り、接触点が朱に輝く。
CU LO で衝突点を低い視点から仰ぎ、「乗り越えの瞬間」を物理的な巨大さとして観客に刻む。
拮抗から打破へ——少年が大百足を押し返す決定的瞬間を仰角で英雄化する。