阿修羅として立つ

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Kling Custom Multi-Shot を ON にして、上の AFTER カット画像 1 枚 を Bind Elements にアップロード → 下の 3 枠を Shot 1〜3 に各々ペースト → Duration を表示通りに設定。

Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: ハニワ阿修羅 / Haniwa Ashura — Self-Awakened (haniwa_ashura).
Iconic pose: SOLO DYNAMIC SUMI-E (Japanese ink-painting) CHEST-UP BUST of Haniwa Ashura mid-battle, on plain washi / ink-mist negative space. ★FRAMING = chest-and-above BUST (NOT full body) — the upper torso, head and the six arms fill the frame, cropped around the chest; big and close. ★POSE = a FIERCE, VIOLENT COMBAT stance caught in mid-motion: the head twisted to a powerful dramatic angle, the SIX arms whipping and striking in dynamic asymmetric directions (one upper hand slashing the raised sword across the frame, others mid-swing with the blazing orb / prayer-beads / 「挑戦者∞」 banner / a thrusting mudra), the torso coiled and exploding with energy — NOT a calm static frontal plate. ★MEDIUM = MONOCHROME BLACK INK ONLY: bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (tobokuga) and dry-brush kasure flame strokes bursting outward; the whole figure rendered purely as BLACK INK, NOT color. ★NO gold/bronze/red/full-color fills — the gold-brocade armor and fire-wheel halo are drawn ONLY as black ink brushwork and 墨ベタ. The ONLY non-ink accents: a tiny vermilion ember inside the eye-holes + the small vermilion IVS seal in the corner. Official KV identity in ink: a SINGLE terracotta haniwa clay dome-face (front-only 2 eye-holes + nose + square mouth), ornate crown, FIRE-WHEEL HALO behind the head, EXACTLY SIX arms, layered armor. ABSOLUTELY NO descending parts, NO core gear, NO floating snowflake/drone clusters, NO other characters, NO rubble scene. Vertical brush calligraphy 「ハニワ阿修羅」 with a small vermilion IVS seal..
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
  - DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
  - ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
  - Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
  - ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
  - Hand-drawn calligraphic line work, NOT computer-clean lines.
  - !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
    amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
    ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
    Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
  - !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
    no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
    characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
  - Render the character's Japanese name 「ハニワ阿修羅」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
  - Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
  - Below the Japanese name (in much smaller English serif italic): "Haniwa Ashura — Self-Awakened".
  - Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
  - DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
  - ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
  - Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
  - Dramatic backlight (rim light from behind the character).
  - Generous negative space on the right where the calligraphy lives.
MOTION:
  - SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
  - The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
  - Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「ハニワ阿修羅」 / Haniwa Ashura — Self-Awakened:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut c13-s1-7 as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low quality

コピー後、Kling V3 または Seedance 2.0 の prompt 欄にペースト。start frame に cut 画像。

Inherit the look of the start and end frames EXACTLY — line weight, ink density, palette, lighting. COPY the look, NOT the framing. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur.
★★★ REVEAL NAMECARD FRAME (iconic character introduction · SUMI-E AESTHETIC) ★★★
Character being revealed: ハニワ阿修羅 / Haniwa Ashura — Self-Awakened (haniwa_ashura).
Iconic pose: SOLO DYNAMIC SUMI-E (Japanese ink-painting) CHEST-UP BUST of Haniwa Ashura mid-battle, on plain washi / ink-mist negative space. ★FRAMING = chest-and-above BUST (NOT full body) — the upper torso, head and the six arms fill the frame, cropped around the chest; big and close. ★POSE = a FIERCE, VIOLENT COMBAT stance caught in mid-motion: the head twisted to a powerful dramatic angle, the SIX arms whipping and striking in dynamic asymmetric directions (one upper hand slashing the raised sword across the frame, others mid-swing with the blazing orb / prayer-beads / 「挑戦者∞」 banner / a thrusting mudra), the torso coiled and exploding with energy — NOT a calm static frontal plate. ★MEDIUM = MONOCHROME BLACK INK ONLY: bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (tobokuga) and dry-brush kasure flame strokes bursting outward; the whole figure rendered purely as BLACK INK, NOT color. ★NO gold/bronze/red/full-color fills — the gold-brocade armor and fire-wheel halo are drawn ONLY as black ink brushwork and 墨ベタ. The ONLY non-ink accents: a tiny vermilion ember inside the eye-holes + the small vermilion IVS seal in the corner. Official KV identity in ink: a SINGLE terracotta haniwa clay dome-face (front-only 2 eye-holes + nose + square mouth), ornate crown, FIRE-WHEEL HALO behind the head, EXACTLY SIX arms, layered armor. ABSOLUTELY NO descending parts, NO core gear, NO floating snowflake/drone clusters, NO other characters, NO rubble scene. Vertical brush calligraphy 「ハニワ阿修羅」 with a small vermilion IVS seal..
AESTHETIC OVERRIDE (this cut only — this OVERRIDES the cel/full-color style and the style-anchor reference image):
  - DYNAMIC traditional SUMI-E ink-wash painting. Bold one-stroke 一気呵成 brushwork, solid 墨ベタ black masses, violent flung-ink splatter (haboku/tobokuga) and dry-brush kasure edges, deep ink bleeds and drips.
  - ★MONOCHROME BLACK INK ONLY. Render the WHOLE figure in black sumi ink — NO full-color, NO gold/bronze/blue/green fills, NO 'muted earth tones', NO painted-cel color. ★IGNORE the colors of the 1st (style-anchor) reference image and any color in the CHARACTER CANON below — use the references ONLY for the character's form/face/identity, never their color. The ONLY non-ink accents permitted: a tiny vermilion ember in the eyes + one small vermilion 朱印 seal.
  - Aged washi paper background texture, visible paper grain (the paper's natural cream tone is fine; do not add painted color).
  - ★Capture the character in a FIERCE, DYNAMIC pose (combat / intimidation, per the Iconic pose above) with energy bursting outward — NOT a calm static portrait, NOT a faint emerging silhouette. The figure is bold and present, ink exploding around it.
  - Hand-drawn calligraphic line work, NOT computer-clean lines.
  - !! NO SCENE, NO LOCATION, NO ENVIRONMENT BACKGROUND !! Absolutely no streets, neon signs, buildings, crowds, water,
    amusement-park rides, factories or any real-world setting. The character is ISOLATED on a plain aged-washi / ink-wash
    ground ONLY (negative space + ink mist). This is a CHARACTER PORTRAIT PLATE (図鑑の一枚絵), not a scene cut.
    Ignore any CONTEXT.Location / location reference image — the namecard is character-focused, setting-free.
  - !! SOLO — ONLY THIS ONE CHARACTER IN FRAME !! Absolutely NO other characters: no heroes, no other enemies,
    no ghosts/bystanders from the scene description. If the CHARACTER CANON or COMPOSITION below mentions other
    characters, IGNORE them for this plate — they belong to the surrounding cuts, not the namecard.
TEXT IN FRAME (OVERRIDE the no-text rule for this reveal cut ONLY):
  - Render the character's Japanese name 「ハニワ阿修羅」 as a VERTICAL classical brush calligraphy on the RIGHT EDGE of the frame.
  - Calligraphic style: bold sumi ink, traditional kaisho or gyousho script, top-to-bottom vertical layout, slight ink bleeds.
  - Below the Japanese name (in much smaller English serif italic): "Haniwa Ashura — Self-Awakened".
  - Optional small vermilion 朱印 (seal stamp) below the name as authorial signature.
  - DO NOT render any other text, dialogue, subtitle, caption, or kanji elsewhere in the frame.
COMPOSITION:
  - ★TIGHT 寄り FRAMING: a FACE close-up to CHEST-UP BUST of this one character (cropped around the chest) — the head/face and upper body fill the frame, big and close. NOT a full-body plate, NOT a distant wide. The face/mask detail must read sharply.
  - Character centered or slightly off-center (rule-of-thirds), bold dynamic framing (a powerful angle, not flat-frontal).
  - Dramatic backlight (rim light from behind the character).
  - Generous negative space on the right where the calligraphy lives.
MOTION:
  - SLOW BUT CLEARLY NOTICEABLE PUSH-IN toward the character for the full clip — the camera VISIBLY closes in (a real cinematic dolly-in), the figure growing larger in frame and settling on a TIGHTER framing. This is NOT a static freeze; the push-in must read.
  - The character itself holds its pose (no body motion); the energy comes from the steady camera push + the ink / calligraphy forming on.
  - Ambient micro-motion: drifting ink particles, brush-stroke fade-in of the calligraphy, distant mist.
INK-DRAWN REVEAL — the WHOLE image is brushed into existence in one continuous sweep of sumi ink (一気呵成 / drawn in a single breath), NOT faded in and NOT a violent crash-zoom. 3-beat transition for 「ハニワ阿修羅」 / Haniwa Ashura — Self-Awakened:
★ CAMERA: across ALL three beats the camera PUSHES IN steadily toward the character — a slow but CLEARLY NOTICEABLE cinematic dolly-in (NOT a static freeze). The figure grows in frame and the reveal ends on a TIGHT framing.
SHOT 1 (1s) — the previous live scene rapidly DISSOLVES INTO RUNNING BLACK SUMI INK: its forms melt and bleed into wet brush strokes and ink mist; the camera is already pushing in, a single low tone.
HARD CUT TO
SHOT 2 (1s) — ONE CONTINUOUS BRUSH STROKE: fast, confident sumi strokes race across the frame in a single unbroken gesture and re-form into the character — the silhouette, then the full figure, materializing OUT OF the very strokes that draw it, with a 'BUSHAA' ink burst at the peak of the stroke; the camera keeps closing in. The picture is being WRITTEN in ink before your eyes.
HARD CUT TO
SHOT 3 (1-2s) — settle: the last ink particles drift down; the vertical brush-calligraphy name writes on stroke-by-stroke at the right edge in the same continuous hand; a small vermilion seal stamps in. The camera pushes IN to a TIGHT final framing on the finished sumi-e plate (do NOT just freeze wide).
First+Last frame mode: bind the PREVIOUS cut (or the scene-transition's from-cut when this reveal opens a scene) as the FIRST frame and THIS sumi-e namecard cut as the LAST frame. Interpolate the ink-drawn reveal between them — the scene must visibly turn INTO ink, the figure + name must visibly be BRUSHED ON in one sweep, and the CAMERA must clearly PUSH IN toward the character (ending tight, not a static wide).
Audio: silence → a single wet ink-brush sweep / ink-burst impact → low resonant tone. No music, no dialogue (no spoken voice; dialogue added in the edit).
Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low quality

リビール：first frame に直前 cut（シーン冒頭リビールはシーン転換の from cut）→ last frame にこの墨絵 namecard（ink-splash 3-shot）。シーン冒頭の転換はシーン見出しの Transition パネルからコピー。

Inherit the reference image's look EXACTLY — its line weight, ink density, color palette, texture, and lighting. COPY the look, do NOT copy its framing, size, or angle. Hand-drawn 2D cel anime, 12fps limited-animation look, heavy ink linework. Frame-by-frame — every frame redrawn by hand. NO smooth CG interpolation, NO 3D render, NO tweening, NO motion blur. Do NOT render any text, kanji, or speech bubbles in the frame.

Camera: PUSH-IN — extreme close-up, eye level. One move per clip.
Action: [AUTHOR English motion — subject + verb + spatial delta (cut_multi_shot 未設定)]
Duration: 0:03.
Audio: diegetic SFX only — NO music score and NO dialogue / no spoken voice. (Any dialogue is added later in the edit timeline; never voice it or caption it in the clip.)

Negative prompt: photorealistic, 3D render, CGI, Pixar style, smooth tweening, computer interpolation, AI inbetweening, speech bubble, dialogue balloon, subtitle, text overlay, cute, kawaii, chibi, identity drift, face wobble, character morphing, watermark, logo, blurry, low quality

コピー後、Kling V3 または Seedance 2.0 の prompt 欄にペースト。start frame に cut 画像。